{"product_id":"9781138085060","title":"Synchronization and Title Sequences : Audio-Visual Semiosis in Motion Graphics (Routledge Studies in Media Theory and Practice)","description":"\u003ci\u003e\u003c\/i\u003e\u003cp\u003eSynchronization and Title Sequences \u003c\/p\u003eproposes a semiotic analysis of the synchronization of image and sound in motion pictures using title sequences. Through detailed historical close readings of title designs that use either voice-over, an instrumental opening, or title song to organize their visuals—from \u003ci\u003eVertigo \u003c\/i\u003e(1958) to \u003ci\u003eThe Player \u003c\/i\u003e(1990) and \u003ci\u003eX-Men: First Class \u003c\/i\u003e\u003cp\u003e(2011)—author Michael Betancourt develops a foundational framework for the critique and discussion of motion graphics’ use of synchronization and sound, as well as a theoretical description of how sound-image relationships develop on-screen.\u003c\/p\u003e","brand":"Routledge","offers":[{"title":"Default Title","offer_id":48729358729451,"sku":"00000_00000_00000_00000","price":164.78,"currency_code":"SGD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0758\/4484\/5803\/files\/9781138085060-1.jpg?v=1781657017","url":"https:\/\/kinokuniya.com.sg\/ja\/products\/9781138085060","provider":"Books Kinokuniya Singapore","version":"1.0","type":"link"}