{"product_id":"9783631670194","title":"Dramatic Minds : Performance, Cognition, and the Representation of Interiority (Austrian Studies in English .105) (2015. 306 S. 210 mm)","description":"This collection adopts a cognitive approach to the study of drama. Analyses range from the medieval stage to 21st century Anglophone drama and provide a cognitive reading of characterisation, interiority, performativity, decoding strategies, empathy, immersion, reader manipulation and audience control. This volume seeks to put drama and its neglected mental dimension into the limelight. While narrative fiction with its intricate ways of rendering consciousness has been deemed an ideal playground for approaches of a cognitivist leaning, the dramatic genre has been all but ignored by cognitive literary studies. Providing insights into such drama-related issues as subject construction, interiority, performativity, empathy, reader manipulation and reception control, the contributions to this collection testify to the richness and variety of the cognitivist enterprise. Contents: Monika Fludernik:\u003ci\u003e \u003c\/i\u003eConsciousness in Drama: A Cognitive Approach - Eva Zettelmann:\u003ci\u003e \u003c\/i\u003eDrama and the Representation of Fictional Minds - Gabriella Mazzon:\u003ci\u003e \u003c\/i\u003eStrategic Communication of Pathos and Suffering in Verbal and Visual Medieval Culture - Elke Mettinger:\u003ci\u003e \u003c\/i\u003e«Now is this golden crown like a deep well» - \u003ci\u003eRichard II \u003c\/i\u003efrom a Cognitive Point of View - Sabine Coelsch-Foisner:\u003ci\u003e Othello\u003c\/i\u003e: Personality and Personality Building in Shakespeare's Tragedy and Verdi's Opera - Michael Raab:\u003ci\u003e \u003c\/i\u003eThe \u003ci\u003eMacbeth \u003c\/i\u003eTrap: Productions of Shakespeare's Play in England, Germany, Austria and Switzerland - Christa Knellwolf King:\u003ci\u003e Une Tempête, \u003c\/i\u003eAimé Césaire's Subversion of the Imperial Scripts of Shakespeare's \u003ci\u003eTempest\u003c\/i\u003e - Dieter Fuchs:\u003ci\u003e \u003c\/i\u003eThe Script of the Body and the Soul in \u003ci\u003eThe Country-Wife \u003c\/i\u003eand \u003ci\u003eTristram Shandy\u003c\/i\u003e: the 'Cognitive Turn' from Restoration Drama to Sentimental Fiction - Caterina Grasl:\u003ci\u003e \u003c\/i\u003eThe (Im)Possible Worlds of Joe Orton: A Cognitive Approach to \u003ci\u003eWhat the Butler Saw\u003c\/i\u003e - Bernhard Reitz:\u003ci\u003e \u003c\/i\u003e«I understand you not, my lord.» - Problems of Cognition and Perception in Tom Stoppard's Plays - Wolfgang J. Lippke:\u003ci\u003e \u003c\/i\u003eJohn Arden and Margaretta D'Arcy - A Cognitive Approach - Ewald Mengel:\u003ci\u003e \u003c\/i\u003ePinter's One-Act Plays \u003ci\u003eOne for the Road\u003c\/i\u003e, \u003ci\u003eMountain Language\u003c\/i\u003e, and \u003ci\u003eParty Time \u003c\/i\u003ein the Light of Conceptual Blending Theory - Merle Tönnies:\u003ci\u003e \u003c\/i\u003eBetween Authenticity and Objectification: Narrating the Self in Contemporary British Drama - Eckart Voigts:\u003ci\u003e \u003c\/i\u003e«Dennis is a Liar» - Mendacity in the Plays of Dennis Kelly - Christopher Innes:\u003ci\u003e \u003c\/i\u003eBreaking the Boundaries of Narrative: Post-Dramatic Story-Telling - Peter Zenzinger:\u003ci\u003e \u003c\/i\u003eParapsychic Phenomena in Early Twentieth-Century American Drama.","brand":"Peter Lang","offers":[{"title":"Default Title","offer_id":48782900723947,"sku":"00000_00000_00000_00000","price":163.52,"currency_code":"SGD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0758\/4484\/5803\/files\/9783631670194-1.jpg?v=1783115493","url":"https:\/\/kinokuniya.com.sg\/ja\/products\/9783631670194","provider":"Books Kinokuniya Singapore","version":"1.0","type":"link"}