{"product_id":"9783032257086","title":"Perspectives on European Popular Print and Images : Transnational, Intermedial and Computational Approaches (New Directions in Book History)","description":"\u003cp\u003eThis edited volume offers a collection of essays which utilise innovative lines of research and enquiry in the context of cheap\/popular print, demonstrating the benefits of a comparative approach, the possibilities offered by the use of new digital tools, and the impact of an intermedial approach on studying the circulation and adaptation of popular images.\u003c\/p\u003e \u003cp\u003eChapter 1: Introduction: exploring new views on popular visual culture.- Chapter 2: Visual voids: Format variations in printed songs, in Scandinavia and beyond.-Chapter 3: Praying in Church from Cards: Transcultural Crossing, Intermediality and Reception.- Chapter 4: Digital Tools for the Study of Cheap Print's Images: a Spanish Case.- Chapter 5:Healing with \u003cem\u003eestampas\u003c\/em\u003e: the use of images and popular literature in canonisation processes during the 17th and 18th century.- Chapter 6: Title page satire: popular jestbooks in Poland and their playful paratexts of the front matter (1600 1700).- Chapter 7: Learning from the Shepherds: Visualising Ideals of Accessible and Reliable Knowledge in Calendars of Shepherds .- Chapter 8: A Journey through Folk Imagina4on: A Computer-assisted Study of Woodcuts Transmission.- Chapter 9: How popular visual culture has inspired modernist painting.- Chapter 10: Spanish Chapbooks 1700-1900 in Cambridge University Library: dating ephemeral literature.- Chapter 11: \"Mitigar la justa ira de Dios\": the presence of devotional images in the news sheets on the 1755 Lisbon Earthquake.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eJeroen Salman\u003c\/strong\u003e is Associate Professor of Comparative Literature at the University of Utrecht, Netherlands. His main research interests include early modern book history, popular culture and the history of science. Previous co-edited publications include \u003cem\u003eNot Dead Things: The Dissemination of Popular Print in England and Wales, Italy, and the Low Countries, 1500-1820\u003c\/em\u003e (2013), \u003cem\u003eBooks in Motion in Early Modern Europe: Beyond Production, Circulation and Consumption\u003c\/em\u003e (Palgrave, 2017) and \u003cem\u003eCrossing Borders, Crossing Cultures: Popular Print in Europe\u003c\/em\u003e (1450 1900) (2019).\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eJuan Gomis\u003c\/strong\u003e is Associate Professor of Early Modern History at the University of Valencia, Spain. His research focuses on popular print culture in Early Modern Europe. He has studied one of the most widespread popular genres in Spain, the so-called Literatura de Cordel , from multiple perspectives: cultural representations (religious, political, gender), material aspects of the printings (the pliegos sueltos ), production and dissemination, and usages and readers. He has also made significant contributions in order to understand this phenomenon from a transnational, European perspective.\u003c\/p\u003e","brand":"Palgrave Macmillan","offers":[{"title":"Default Title","offer_id":48872807694571,"sku":"00000_00000_00000_00000","price":242.61,"currency_code":"SGD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0758\/4484\/5803\/files\/9783032257086-1.jpg?v=1781780503","url":"https:\/\/kinokuniya.com.sg\/products\/9783032257086","provider":"Books Kinokuniya Singapore","version":"1.0","type":"link"}