§16§§This book asks important questions about making performance through the means of collaboration and co-created practice. It argues that we can align ethics and aesthetics with collaborative performance to realise the importance of being in association with one another, and being engaged through our shared imaginations. §16§that they bring their work into existence through the transmission of shared meaning.§ §04§Introduction. Intertwining Ethics, Aesthetics and Knowing.- 1. §13§"Considering Ethics in Dance, Theatre and Performance delivers a multi-directional contribution to performance studies, pedagogical enterprises and philosophy. Her effort in this book is timely and stands alongside current discourses in performance philosophy, Practice-as-Research and DanceHE ... . It also offers a groundwork for thinking about performance and philosophy as enactive engagement with society." (Einav Katan-Schmid, British Journal of Aesthetics, June 12, 2019) §02§§ Fiona Bannon is Senior Lecturer in Dance in the School of Performance and Cultural Industries, University of Leeds, UK. Having had an early career in freelance community arts practice, she transferred this knowledge to academic roles lecturing in dance, and later became Head of the School of Arts at the University of Hull. She is Chair of DanceHE, a UK wide network promoting Dance in Higher Education, and Chair of World Dance Alliance-Europe.§ §
