Film und kulturelle Erinnerung : Plurimediale Konstellationen (Media and Cultural Memory / Medien und kulturelle Erinnerung) (2008. VIII, 266 S. m. 40 Abb. 23 cm)

512.73 SGD
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461.46

Product Description

This interdisciplinary series addresses the relation between media and cultural memory. Its publications study how media construct, store, and disseminate memory. The series' focus is on different media and technologies, such as text and image, the cinema and the new digital media, on transmediality, intermediality, and remediation, as well as on the social (and increasingly transnational and transcultural) contexts of mediated memory. The aim of the series is to provide a vibrant international platform for research and scholarly exchange in the field of media and memory studies. Manuscripts submitted to the series are peer reviewed by expert referees.

The editors, Astrid Erll (Goethe-Universität Frankfurt am Main) and Ansgar Nünning (Justus-Liebig-Universität Gießen), are working with an international editorial board of renowned scholars:

  • Aleida Assmann (Universität Konstanz),
  • Mieke Bal (University of Amsterdam),
  • Vita Fortunati (University of Bologna),
  • Richard Grusin (University of Wisconsin-Milwaukee),
  • Udo Hebel (Universität Regensburg),
  • Andrew Hoskins (University of Glasgow),
  • Wulf Kansteiner (Binghamton University),
  • Alison Landsberg (George Mason University),
  • Claus Leggewie (Kulturwissenschaftliches Institut Essen),
  • Jeffrey Olick (University of Virginia),
  • Susannah Radstone (University of South Australia),
  • Ann Rigney (Utrecht University),
  • Michael Rothberg (University of Illinois),
  • Werner Sollors (Harvard University),
  • Frederic Tygstrup (University of Copenhagen),
  • Harald Welzer (Kulturwissenschaftliches Institut Essen)

This interdisciplinary series addresses the relation between media and cultural memory. Its publications study how media construct, store, and disseminate memory. The series' focus is on different media and technologies, such as text and image, the cinema and the new digital media, on transmediality, intermediality, and remediation, as well as on the social (and increasingly transnational and transcultural) contexts of mediated memory. The aim of the series is to provide a vibrant international platform for research and scholarly exchange in the field of media and memory studies. Manuscripts submitted to the series are peer reviewed by expert referees.

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