Representing Algerian Women : Kateb, Dib, Feraoun, Mammeri, Djebar (Mimesis 68) (2019. IX, 222 S. 4 b/w ill. 230 mm)

236.20 SGD
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This monograph explores the ways in which canonical Francophone Algerian authors, writing in the late-colonial period (1945-1962), namely Kateb Yacine, Mohammed Dib, Mouloud Feraoun, Mouloud Mammeri and Assia Djebar, approached the representation of Algerian women through literature. The book initially argues that a masculine domination of public fields of representation in Algeria contributed to a postcolonial marginalization of women as public agents. However, it crucially also argues that the canonical writers of the period, who were mostly male, both textually acknowledged their inability to articulate the experiences and subjectivity of the feminine Other and deployed a remarkable variety of formal and conceptual innovations in producing evocations of Algerian femininity that subvert the structural imbalance of masculine symbolic hegemony. Though it does not shy from investigating those aspects of its corpus that produce ideologically conditioned masculinist representations, the book chiefly seeks to articulate a shared reluctance concerning representativity, a pessimism regarding the revolution's capacity to deliver change for women, and an omnipresent subversion of masculine subjectivity in its canonical texts.

With its new sub-title Romance Literatures of the World, the book series Mimesis presents an innovative and integral understanding of the Romance world and Romance Studies from the perspective of literary studies and cultural theory. It takes account of the fact that the fascinating development of Romance literatures and cultures both in Europe and beyond has set worldwide dynamics in motion which continue the great traditions of the Romance world and open up new horizons for them. Mimesis works from a transareal understanding of Romance Studies which integrates Romance literatures and cultures both within and outside Europe and which transcends the national and disciplinary boundaries which often conceal the interactions between different traditions and developments in Europe and the Americas, in Africa and Asia. In the archipelago of Romance Studies, Mimesis reveals how the representation of reality in the Romance literatures of the world opens the door to a multilingual cosmos of diverse logics.

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