§16§The question of how music and politics interact has always aroused passionate debate, and it looms large in this study of the Soviet proletarian music movement. The proletarian music movement was the driving force behind many of the developments in early Soviet musical life, and its influence was felt long after the groups that belonged to it disbanded in 1932. It consisted of politicians, composers, musicologists, performers and educators who were united by their desire to create a dictatorship of the proletariat in musical life, and develop musical forms that responded to the needs of their new society.§Based largely on primary and contemporary secondary sources, this book charts the history of the proletarian music movement, examines its beliefs, and discusses its work in the fields of musical education, amateur musical activities and composition. It discusses the origins of important characteristics of Soviet musical life, sheds light on a neglected area of early Soviet cultur §16§al history, examines how the cultural apparatus was mobilised to instil a political ideology, and challenges how Soviet musical life of the 1920s has traditionally been viewed. §04§Contents: Ideology and Beliefs - First Steps - The Conservatories - Mass Musical Work - Agitotdel and ORKiMD - Prokoll - 1932 and Beyond. §13§"Neil Edmund's detailed study of the proletarian episode in Soviet music history makes an extremely welcome addition to the meagre body of Western scholarship in this area. [...] many scholars will be grateful for Edmund's intelligent digest of still relatively obscure Russian sources." (Pauline Fairclough, Slavonic and East European Review) §02§The Author: Neil Edmunds is Lecturer in European History at the University of the West of England, Bristol.
