Scholars of narrative song from Europe, North America, and Australia present 12 essays inspired by the work of English scholar Larry Syndergaard (1936-2015). Focusing on the relationship between the ballads of Scandinavia and Scotland, England, and the US, they consider the definition of the ballad genre and similarities and differences from other forms, with discussion of the Swedish ballad, the relationship of an Icelandic ballad to a r̕mnaflokkur, and the female warrior Hervr̲ in ballads; ballad cultures in Scandinavia and the English-speaking world, including the literary trope of the beached whale and its butchering in the Icelandic Sagas, the rosenlund in Danish and Anglophone ballads, the motif of hawks and hounds in English and Scottish sources, and the attitudes of traditional ballads to sexual license in comparison to broadsides, drolleries, and popular songs; the Agnete ballad of Denmark and the history of the ballad of "Sir Lionel" from the 15th century to its emergence as a popular Appalachian ballad; and the influence of traditional ballads on later forms of artistic expression, including parlor songs by Joseph Glaeser, modern fan fiction, and Edgar Allan Poe's "The Raven." Medieval Institute Publications is at Western Michigan University. Annotation 2019 Ringgold, Inc., Portland, OR (protoview.com)