Gold and Glass Going North : Enamels of Limoges in Norway

164.80 SGD
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148.32
English

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This book presents the results of years of research on Limoges enamels in the medieval Norwegian Church province (established 1152/1153). This is the first study of the 133, more-or-less complete, surviving objects. In presenting this new knowledge, the book aims to stimulate further research about the material culture of the Middle Ages, and to provide an important resource for those studying churches and places in the Nordic countries, medieval art and especially Limoges enamels. Over 4000 of the French enamels probably found their way to the northern fringes of Europe in the 13th century. This estimate is based on the numbers of preserved objects and pieces that have been discovered in Norwegian medieval churches, as well as on the references to such items in the Icelandic church inventories. The results of this new study question some of the earlier interpretations accepted by European medievalists. The lustrous copperworks of the Limousin district were known throughout Europe in the Middle Ages. Their products – reliquaries, crucifixes, candlesticks, book-covers, censers – embellishing churches and coffrets, boxes, belt buckles and harness fittings, revealed the success of the elite. Yet, these works have not received much attention in the Nordic countries, and the secular enamels have been particularly underestimated. We have no evidence for the location and organisation of workshops, or to the diffusion of products, including exports to the Nordic countries. The author argues that enamels destined for Norway, and probably Iceland too, travelled by established sea routes and reached Bergen via the port of London. The book keeps the object at the centre, explores its setting and history and emphasises that the enamel itself supplies the main information; it becomes a source to itself. The focus is not the traditional art historical study of typologies and styles; instead, the key theme is the cultural context of the enamels and the visual vocabulary, supplied b

Presents, with a fully illustrated catalogue, the first study of 133, more-or-less complete, surviving Limoges enamels in the medieval Norwegian Church province (12th–14th century). The central theme is the cultural context of the enamels, trade routes and their visual vocabulary, supplied by the ecclesiastical conventions, that they convey.

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