The B List : The National Society of Film Critics on the Low-Budget Beauties, Genre-Bending Mavericks, and Cult Classics We Love

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What kind of collection could possibly find common ground among The Son of Kong , Platoon , and Pink Flamingos ? What kind of fevered minds could conceive of such a list? What are the unheard-of qualities that tie them all together? The answers: This book. The National Society of Film Critics. And the far-reaching enticements of the B movie itself. Once the B movie was the Hollywood stepchild, the underbelly of the double feature. Today it is a more inclusive category, embracing films that fall outside the mainstream by dint of their budgets, their visions, their grit, and occasionally- sometimes essentially- their lack of what the culture cops call"good taste.” The films in The B List are offbeat, unpredictable, and decidedly idiosyncratic. And that's why we love them.

The choicest noir, neo-noir, science fiction, horror, westerns, midnight movies, and more--from critics like David Ansen, Jami Bernard, Roger Ebert, Carrie Rickey, Richard Schickel, and Kenneth Turan.

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