Saint Judas, Apostle and Martyr : Passion Theology, Politics, and the Artistic Persona in a French Romanesque Capital (Studies in the Humanities .52) (Neuausg. 2000. XV, 185 S. 230 mm)

Wildgen (French, U. of New Orleans) describes her work as art criticism as criticism is understood in the literary context. She examines the meanings of the sculptor Gislebertus' work The Suicide of Judas from the cathedral of Saint-Lazare at Autun. She explores the symbology of the relatively positive position of Judas' body in the sculpture and offers some interpretations of the piece. Annotation c. Book News, Inc., Portland, OR (booknews.com)