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StudioMDA is a multidisciplinary architecture and design practice based in New York, with extensive expertise in cultural buildings, art galleries, exhibitions, and art fair booths, alongside work in commercial, institutional, and residential sectors. Over the past two decades, the firm has played a pivotal role in shaping New York City's art districts, completing more than 40 gallery projects and establishing itself as a leading authority in the design of cultural spaces.


This publication examines the evolving relationship between art and architecture across multiple scales. Structured in three main chapters-galleries, exhibitions, and art fair booths-it presents a selection of projects of the firm's work. The largest section, dedicated to galleries, features key projects such as the Phillips Auction House Headquarters, Marian Goodman Gallery, and Kasmin Gallery. The exhibition chapter highlights collaborations with artists such as Sarah Morris, Lee Bae, Jorinde Voigt, and Tomokazu Matsuyama. The book concludes with a curated selection from StudioMDA's more than 300 art fair booths, designed for galleries at leading international fairs including Art Basel, TEFAF, and Frieze.


Accompanied by conversations with gallerists, artists, curators, and art-world figures, the book examines the interplay between space and scale, revealing both parallels and distinctions in how architecture and art are conceived, presented, and experienced-from initial concept to final realization. Drawing on firsthand experiences of commissioning and working within StudioMDA spaces-or within the art world more broadly-it offers rare insight into the spaces, practices, and ambitions that shape them.

The Frankfurt and New York–based architecture and design firm StudioMDA has achieved a high degree of visibility in recent years through the completion of many prominent gallery design projects, including the first American location of Lisson Gallery in New York, three New York galleries for Paul Kasmin, and the High Line Nine galleries.

This publication examines the firm’s interdisciplinary approach to architecture for art spaces, focusing on the interrelated considerations of space, scale and human traffic. Markus Dochantschi, the firm’s founder, previously worked for Zaha Hadid Architects, and in 2017 was labeled “the art world’s new go-to architect” by Galerie Magazine. Since 2004, with the design of booths for David Nolan Gallery, Dochantschi has steadily built a reputation for StudioMDA on the basis of hundreds of exhibitions, booths and private collections, in addition to over a dozen gallery spaces for Anton Kern, Helly Nahmad, Richard Tattinger, Carpenters Workshop, Bortolami and 303 Gallery, among others.

StudioMDA: Artseen, the first publication to assess the full breadth of the firm’s work and its distinctive approach, offers an in-depth examination of the design principles and strategic underpinning that has led to StudioMDA’s eminence as an authority on art spaces, with extensive accounts of projects from the conceptual stage through to their construction.

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