§16§§§§Ethical Futures and Global Science Fiction §04§1. Science Fiction's Ethical Modes: Totality and Infinity in Isaac Asimov's Foundation Trilogy and Yevgeny Zamyatin's §04§gering the Future: Split Collectives and Decolonial Praxis in Assia Djebar's Ombre Sultane and Nalo Hopkinson's Midnight Robber, Lara Choksey.- 11. Rewriting France's Future: From Louis-Sébastien Mercier's Pre-Revolutionary Projections to Michel Houellebecq's Islamic Agendas via Secular State Ethics, §02§§Zachary Kendal is a librarian in Rare Books at Monash University Library, Australia. He was recently an editor-in-chief of Colloquy: Text, Theory, Critique and is completing a PhD in Literary and Cultural Studies at Monash University, researching ethics and literary representation in science fiction.§§Aisling Smith is a teaching associate in literary studies at Monash University and Deakin University, Australia. Her PhD examined affect theory and the works of David Foster Wallace. She is also a creative writer, former editor-in-chief of Colloquy: Text, Theory, Critique and an editor of the Verge: Chimera (2017) anthology.§§Giulia Champion is completing her doctoral thesis at the University of Warwick, UK. Her research investigates postcolonial literature in original languages and aims to theorise literary cannibalism as a set of practices through the world ecology framework and historical materialism. §§Andrew Milner is Emeritus Professor of English and Compa §02§rative Literature at Monash University, Australia, and Honorary Professor at University of Warwick, UK. He is the author of numerous books including, most recently, Locating Science Fiction (2012), Again, Dangerous Visions: Essays in Cultural Materialism (2018) and, with J. R. Burgmann, Science Fiction and Climate Change (in press).§§
