This study is an intertextual-thematological investigation of the Narcissus theme at the turn of the century around 1900 in French, German, and English language literature, sexology and psychoanalysis.
The story of Narcissus, who falls in love with his own image in a spring, has fascinated writers and thinkers ever since Ovid first gave poetical form to the myth in his Metamorphoses. This study systematically investigates the elaborations of the theme at the turn of the century around 1900. It argues that a sense of crisis in the modern foundation of selfhood explains the heightened interest in Narcissus during this period.
The book investigates three different aspects of the theme: as a symbol of a poetic apotheosis of the self in French Symbolism; as a narrative of a dissolving self in English, Austrian and French decadent literature; and as the concept of narcissism in sexology and psychoanalysis, where self-love provides an instinctual foundation of the self.
Crystalline Reflection: Gide, Valéry, de Bouhélier and others - Narcissus Comes of Age: Wilde, Andrian, Lorrain and others - The Birth of the Concept out of the Narcissus-like Tendency: Freud, Ellis, Rank and others
Niclas Johansson studied Literature at the Universities of Stockholm and Uppsala and has previously published articles on Birgitta Trotzig, Willy Kyrklund, and Vilhelm Ekelund.
