The "I" in the Making : Rethinking the Japanese shish setsu in a Global Age (Studies in Oriental Culture and Literature 6) (2020. 262 S. 210 mm)

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The book centres around the topic of subjectivity and self-representation in contemporary Japanese literature and offers a new approach to the genre of shish setsu (the I-novel).

It reassesses the works of Dazai Osamu, e Kenzabur , End Shusaku, Murakami Haruki, and of the translingual writers - Mizumura Minae, Hideo Levy, Tawada Y ko - to expose the wide-ranging treatment of personal experiences, and the intricate relations between the characters, the narrator, and the writing persona.

In the context of world fiction and autobiography theories, the book investigates literary and linguistic challenges in expressing the \"self.\" The shish setsu are explored as stories of constructing identities between cultures, languages, literary canons, and testimonies of untranslatability of the self.

The book centres around the topic of subjectivity and self-representation in contemporary Japanese literature and offers a new approach to the genre of shish setsu (the I-novel).

It reassesses the works of Dazai Osamu, e Kenzabur , End Shusaku, Murakami Haruki, and of the translingual writers - Mizumura Minae, Hideo Levy, Tawada Y ko - to expose the wide-ranging treatment of personal experiences, and the intricate relations between the characters, the narrator, and the writing persona.

In the context of world fiction and autobiography theories, the book investigates literary and linguistic challenges in expressing the "self." The shish setsu are explored as stories of constructing identities between cultures, languages, literary canons, and testimonies of untranslatability of the self.

Self and subjectivity in contemporary Japanese fiction - theories in autobiography (Paul Ricoeur, Philippe Lejeune, John Paul Eakin, Serge Doubrovsky) - world literature - comparative literature - cultural translation - cognitive functions of untranslatability - authorship in Japanese literature

Justyna Weronika Kasza is an associate professor at Seinan Gakuin University in Fukuoka, Japan. She has taught courses in Japanese language, literature, and translation at universities in England and Poland. She is the recipient of the Japan Foundation Fellowships and has conducted her research at Sophia University in Tokyo. Her research interests include the works of End Shusaku, life-writing narratives in Japan, world literature and translation theories.

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