Herklas Brown and Maine, 1944 (2025. 168 S. 290 mm)

122.43 SGD
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110.19
English

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Product Description

In January 1944, during the height of World War II, Gordon Parks photographed Herklas Brown-the owner of the general store and Esso gas station in Somerville, Maine. Parks traveled to the state under the auspices of the Standard Oil Company (New Jersey) (SONJ) to record SONJ's contributions to the war effort and to document the home front in this crucial period. His photographs chronicled oil and gas facilities and workers, Esso gas station owners in small towns, as well as people whose lives depended on fuel and other SONJ products. Consistent with his work before and after, Parks made it his mission to get to know his subjects and show their humanity, photographing Brown at his Esso station and with his family at the dinner table. Traveling at a time when transportation, food and lodging were a challenge, and notably as a Black man traveling alone, Parks nonetheless created a compelling documentary record of rural America that offers insight into this historic moment, as well as his early photographic practice directly before joining the staff of Life magazine. Published in conjunction with an exhibition at the Bowdoin College Museum of Art, Herklas Brown and Maine, 1944 features more than 90 previously unpublished photographs by Parks.Co-published with The Gordon Parks Foundation and Bowdoin College Museum of Art

Parks’ chronicle of small-town Maine anticipates his profound images of civil rights and inequality

In January 1944, Gordon Parks (1912–2006) photographed Herklas Brown—the owner of a general store and Esso gas station in Somerville, Maine. Parks traveled to the state under the auspices of the Standard Oil Company New Jersey (SONJ) to record their contributions to the war effort and document the home front in this crucial period. His photographs chronicled oil and gas facilities and workers, small-town Esso gas station owners, as well as people whose lives depended on fuel and other SONJ products.
Consistent with his work before and after, Parks prioritized getting to know his subjects as people, photographing Brown not only at his Esso station but also at home with his family. Despite the challenges he faced as a Black man traveling alone, Parks created a compelling documentary record of rural America. The images from this period offer crucial insight into the historic moment, as well as Parks’ early photographic practice directly before he began his tenure at Life magazine. Published in conjunction with an exhibition at the Bowdoin College Museum of Art, Herklas Brown and Maine, 1944 features more than 90 previously unpublished photographs.

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